Invisible Hand [2023-Present]

Chandiramani’s latest body of work serves as a powerful exploration of resistance, dismantling societal stigmas deeply entrenched in patriarchal and capitalist structures. The hand that may be asked for in marriage is placed into ubiquitous yellow rubber gloves. Adorned with the intricate patterns of bridal mehndi, Chandiramani ignites a dialogue on the societal expectations that confine women to roles tied to their “marriage-worthiness” and marital status, while simultaneously undervaluing their invaluable contributions to society. Historically, under the institution of marriage, women have been treated as objects or property. Questions like “Have you found someone?” and “When is the big day?” that women still hear to this day illustrate how these ideas have transpired into societal values and conditioning. There is a tie to religion, capitalism and the patriarchy that keeps these constructs alive, and these are themes that run throughout Chandiramani’s practice thus far. The repetitive, intricate patterns of the henna also serve as a metaphor for the intricate web of patterns that run through society. The glove, something disposable and common, is worn by many but can easily be removed. In this way, the mehndi gloves serve as a symbol of commonly held beliefs and constructs that hold society back, and through this body of work are transformed into symbols of resistance, urging society to reconsider the inherent value of women beyond the limiting labels that diminish their worth.